Post by Malcolm on Jul 9, 2013 22:55:32 GMT -5
Very few people know about this painting, and hardly anyone is aware of the shattering secret that is revealed in the picture.
Jean Cocteau clearly knew who the original Jesus was in Ancient Egypt as he painted this mural for the Church of Notre Dame de Paris in London during the 1960's.
What we do know without the shadow of any doubt is that ancient Egyptians believed in JESUS. They called him the Ever Coming son - IOSA - and this is still the same name for Jesus today, in Gaelic.
The Greeks started the confusion by Hellenising this name into IESOUS and the English then changed the initial 'I' to J, and the Hebrews nobbled it too - into Yeshua.
We also know that this Jesus was also seen by later generations of Egyptians and Greeks to be one and the same as HR (Greek Horus) - for were they not both the son of God?
Here we have the crucified figure not only being deliberately ignored by those surrounding the cross, but only the legs of the crucifed are shown. The rest of the body is pointedly left out.
Instead we have the Roman Soldier's Shield placed so that it appears that the Falcon - the Symbol for Horus - is sitting on Cocteau's shoulder.
Cocteau knew the truth. But how did he know? This is the real mystery. He could have read Gerald Massey, but I very much doubt it. Somehow this knowledge was known by some inner circles - most likely the Vatican, or perhaps descendants of the Templar knights - and Cocteau learned of it.
Cocteau has even highlighted Horus by painting the Falcon blue. Showing this symbol in a scene where all the main characters are turning their backs to the literal Jesus and only painting in his legs at that, is a clear message that Cocteau knew where the Jesus story came from.
Jean Cocteau clearly knew who the original Jesus was in Ancient Egypt as he painted this mural for the Church of Notre Dame de Paris in London during the 1960's.
What we do know without the shadow of any doubt is that ancient Egyptians believed in JESUS. They called him the Ever Coming son - IOSA - and this is still the same name for Jesus today, in Gaelic.
The Greeks started the confusion by Hellenising this name into IESOUS and the English then changed the initial 'I' to J, and the Hebrews nobbled it too - into Yeshua.
We also know that this Jesus was also seen by later generations of Egyptians and Greeks to be one and the same as HR (Greek Horus) - for were they not both the son of God?
Here we have the crucified figure not only being deliberately ignored by those surrounding the cross, but only the legs of the crucifed are shown. The rest of the body is pointedly left out.
Instead we have the Roman Soldier's Shield placed so that it appears that the Falcon - the Symbol for Horus - is sitting on Cocteau's shoulder.
Cocteau knew the truth. But how did he know? This is the real mystery. He could have read Gerald Massey, but I very much doubt it. Somehow this knowledge was known by some inner circles - most likely the Vatican, or perhaps descendants of the Templar knights - and Cocteau learned of it.
Cocteau has even highlighted Horus by painting the Falcon blue. Showing this symbol in a scene where all the main characters are turning their backs to the literal Jesus and only painting in his legs at that, is a clear message that Cocteau knew where the Jesus story came from.
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